Last edited by Fenritilar
Monday, May 11, 2020 | History

3 edition of The provocation of the senses in contemporary theatre found in the catalog.

The provocation of the senses in contemporary theatre

Steve Di Benedetto

The provocation of the senses in contemporary theatre

by Steve Di Benedetto

  • 243 Want to read
  • 36 Currently reading

Published by Routledge in New York .
Written in English

    Subjects:
  • Performing arts,
  • Senses and sensation,
  • Human information processing,
  • Performing arts -- Philosophy

  • Edition Notes

    Includes bibliographical references and index.

    Statementby Stephen DiBenedetto.
    SeriesRoutledge advances in theatre and performance studies
    Classifications
    LC ClassificationsPN1584 .D5 2010
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL23872295M
    ISBN 100415872677, 0203852095
    ISBN 109780415872676, 9780203852095
    LC Control Number2009045097

      Creator’s Statement. The “lived body” in contemporary horror cinema. The thesis for this video essay originated from an interest in the use of sound in A Quiet Place (John Krasinski, ).The use of diegetic and non diegetic sound brilliantly portrayed the perspective of Reagan, the deaf daughter, and how her experience of being deaf aided in the family’s . Stephen Di Benedetto is an Associate Professor of Theatre History and Theory at the University of Miami, specialising in scenographic design and the senses in performance. He is author of The Provocation of the Senses in Contemporary Theatre (Routledge, )/5(5).

    Peter M. Boenisch [1] (University of Kent). The emergence of relational dramaturgy. It is a truism to maintain that theatre has always paid particular attention to its audiences and spectators, whether in contemporary performance, the theatre avant-garde from a century ago, or virtually at any other time we may randomly pick from theatre history. Special Book Review Essay. India's Theatrical Modernity: Re-Theorizing Colonial, Postcolonial, and Diasporic Formations THE PROVOCATION OF THE SENSES IN CONTEMPORARY THEATRE by Stephen Di Benedetto. THE PROVOCATION OF THE SENSES IN CONTEMPORARY THEATRE by Stephen Di Benedetto (pp. ).

    Modern Drama was founded in and is the most prominent journal in English to focus on dramatic literature. The terms, "modern" and "drama," are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser known dramatic texts through a range of methodological perspectives. The provocation of the senses in contemporary theatre / by: Di Benedetto, Steve. Published: () Postdramatic theatre and the political: international perspectives on contemporary performance / Published: ().


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The provocation of the senses in contemporary theatre by Steve Di Benedetto Download PDF EPUB FB2

The Provocation of the Senses in Contemporary Theatre By Stephen Di Benedetto. Paperback $ Hardback $ eBook $ ISBN He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the.

DOI link for The Provocation of the Senses in Contemporary Theatre. The Provocation of the Senses in Contemporary Theatre book. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance.

Cited by: Get this from a library. The provocation of the senses in contemporary theatre. [Steve Di Benedetto] -- Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of.

The Provocation of the Senses in Contemporary Theatre by Stephen Di Benedetto,available at Book Depository with free delivery worldwide/5(6).

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The Provocation of the Senses in Contemporary Theatre (Routledge Advances in Theatre and Performance Studies)Cited by: TY - BOOK. T1 - The provocation of the senses in contemporary theatre.

AU - Di Benedetto, Stephen. PY - /1/1. Y1 - /1/1. N2 - Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect Cited by: Get this from a library.

The Provocation of the Senses in Contemporary Theatre. [Stephen Di Benedetto] -- Considers theatrical practice through the lens of contemporary neuroscientific discoveries. This study lays the foundation for considering the physiological basis of the power of theatre practice to.

The Provocation of the Senses in Contemporary Theatre. by Stephen Di Benedetto. Share your thoughts Complete your review. Tell readers what you thought by rating and reviewing this book. Rate it * You Rated it *Brand: Taylor And Francis. The Provocation of the Senses in Contemporary Theatre Steve Di Benedetto Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior.

The Provocation of the Senses in Contemporary Theatre Routledge Advances in Theatre and Performance Studies Routledge Advances in Theatre & Performance Studies: : Di Benedetto, Stephen: BooksAuthor: Stephen Di Benedetto.

Di Benedetto () considers the senses in contemporary theatre from a neurobiological approach. His multidisciplinary approach to the theatrical event draws on cognitive science, neurology and.

The provocation of the senses in contemporary theatre Di Benedetto, Stephen Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior.

Stephen Di Benedetto is the author of The Provocation of the Senses in Contemporary Theatre ( avg rating, 6 ratings, 1 review, published ), An In /5. Stephen Di Benedetto is an Associate Professor of Theatre History and Theory at the University of Miami, specialising in scenographic design and the senses in performance.

He is author of The Provocation of the Senses in Contemporary Theatre (Routledge, ). The Provocation of the Senses in Contemporary Theatre Stephen Di Benedetto Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior.

Provocation of the senses to awaken the “spectator” March 4, May 9, Jessica Golby Stephen Di Benedetto states that the “senses are utilized in the composition of a theatrical event [to] create an in-between state of experience and awareness” ((, p.7)).

Click on a title to look inside that book (if available): The Provocation of the Senses in Contemporary Theatre (). by Stephen Di Benedetto. Roaratorio's resulting sound collage is an excessive cacophony of voice, Irish music, and vernacular sounds including radios, televisions, automobiles, barking dogs, and crying babies The prerecorded sounds are mixed with.

Stephen Di Benedetto is an Associate Professor of Theatre History and Theory at the University of Miami, specialising in scenographic design and the senses in performance. He is author of The Provocation of the Senses in Contemporary Theatre (Routledge, ).Author: Stephen Di Benedetto.

The Provocation of the Senses in Contemporary Theatre by Stephen Di Benedetto Call Number: UCF ONLINE General Collection -- PND5 "Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the.

The Senses of Consciousness Genre: _⏱ Release Date: _ Description: " The Senses of Consciousness " written by Marcel Proust with ISBN_13 and ISBN_10 with total page sheets []. Stephen Di Benedetto is currently the Associate Professor of Theatre History at the University of Miami.

Additionally, he is a Performance + Design Series Editor (Bloomsbury) and.Stephen Di Benedetto is an Associate Professor of Theatre History and Theory at the University of Miami, specialising in scenographic design and the senses in performance.

He is author of The Provocation of the Senses in Contemporary Theatre (Routledge, ). unless you're assigned this book for a grade, avoid this book like it's the plague.The Senses in Performance: utilising audience response to identify therapeutic affect in immersive theatres: methods and findings The Provocation of the Senses in Contemporary Theatre.

London Author: Teri Howson-Griffiths.